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Drunk Theatre: June-July 2016

I’ve been seeing so many plays and not writing about them! Here are a few.

Shitfaced Shakespeare: The Merchant of Venice @ Southbank Udderbelly: I was so looking forward to this that I got massively shitfaced myself ahead of time, at my friend Ken’s birthday drinks, at a wine bar in the City, where another friend Jo and I had to – had to, for a tenuous reason I don’t remember very well – buy wine by the bottle instead of the glass. Anyway, I knocked back a litre+ of rosé and lost to Ken at pool several times, then tottered over the river to the South Bank Udderbelly and bought a double rum and tonic (“YES, WITH TONIC“) for £7.40, and waved it in front of the Shitfaced Shakespeare MC, who is responsible for keeping the show relatively on the rails. He also hands out gongs to the audience to ring if we feel the drunk actor is sobering up. I got a gong!

The interesting thing about “Shitfaced Merchant of Venice” was going to be how to do a weird tragedy with the structure of a comedy, which historically has been very hard to do without accidentally or intentionally being terrible about gay people, or Jewish people, or women, or black people, or…, in the style of Shitfaced Shakespeare, which is basically ‘loosely controlled anarchy, and booze’. It failed much less than I was dreading! (PR guys, you can use that on the posters if you like.)

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Tudor Brexit

Hello! How are you? I was working on a book and then a bunch of ostentatiously horrible political stuff happened, so instead I’ve spent the last three weeks drinking constantly and refreshing Twitter. Ha ha ha! [MUFFLED UNCONTROLLABLE SOBBING]

It’s become apparent that the leaders of the Leave campaign had zero plan, and either never really expected to win, or assumed everything would just turn out OK: I think possibly one of the reasons so many people went “yeah, sure, let’s leave the EU, no idea what will happen but it will probably be fine!” is that it taps into one of the main stories England tells itself about itself, about that time we told Europe to fuck off and it went great.

The story goes something like,

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A Shakespeare haggadah

Okay, I ended up doing something for HASHTAGSHAKESPEARE400 after all!

Tonight is also the second night of Pesach (Passover), and I put together a sort of Shakespearean accompaniment to the haggadah (the big book that everyone at a seder will have a different version of). It’s not a full haggadah, but you can read it along with most parts of the seder.

There are some bad jokes and probably some mistakes too. Any corrections or comments very welcome!

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Tabletop Shakespeare: Henry VIs and Richard III, Forced Entertainment

I first saw Forced Entertainment’s Complete Works, where they perform 36 of Shakespeare’s plays by moving household items around, on a livestream from Berlin. A lot of the Shakespeare Twitter people were watching and it was an excellent international play-watching experience thing (a bit like the Almeida’s Iliad and Odyssey – I really do love these and again cannot wait for the MA thesis on them). When Forced Ents took it to the Barbican in March, I got tickets to the Thursday night, which was the Henry VI trilogy and Richard III. Each play started about on the hour and took about 50 minutes.

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In the Barbican Pit there were metal frame shelves of the props (actors?) for each play, labelled with sticky tape. You could look for the two pairs of twins for the Comedy of Errors, or the four ladies and four lords in Love’s Labour’s Lost. I was there with friends Steve and Meg, who have been going to Forced Ents stuff long enough that the performer Richard recognised them and came over to say a quick hello before the show, brush with fame!

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Drunk(ish) Theatre: “Guys and Dolls” at the Savoy Theatre

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Cast of Guys and Dolls on tour in Manchester: Sophie Thompson, David Haig, Jamie Parker, Siubhan Harrison. Photo Manchester Evening News.

 

The show: Guys and Dolls at the Savoy Theatre, February 27 2016 (matinee)

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London to Rome in a DAY! On a TRAIN!

Last week I took the TRAIN to Rome, all in one day, which was extremely exciting if you’re me! Although getting to St Pancras for the 05:40 Eurostar was a bit dreadful – I especially remember one French-speaking man picking up his suit jacket from the luggage screening belt, and just staring at it helplessly for several seconds before sort of flailing his arms into it. But it was blooming lovely to slump into a double seat and watching the sun rise along the tracks over Lille.

The centre of Paris is so close together that whenever I need to change trains there, I usually just walk between stations – it’s much less faffy than the metro/RER, and means getting to actually see the city for even that short time. Walking to Gare de Lyon went past Place de la Republique, where the monument to the Third Republic has also become a monument of the city’s response to the attacks last year. It’s definitely a monument, not a memorial – the tone is solidarity (lots of flags of different countries) and defiance.

republique monument

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Header art by Tod Wills.