Back to school

Berowne: What is the end of study, let me know?
King: Why, that to know which else we would not know.

I just finished a weekend at the Open Talmud Project, an annual community-run weekend aimed at Talmud study for everybody. It was a bit of a shock as I haven’t done Talmud properly for a few years, since my hardcore phase just after university when I was missing academia.

What I like best about Talmud study is that it’s very difficult lifelong learning that doesn’t have a point. Read more...

We’ve all got a crush on Adrian Lester in “Love’s Labour’s Lost”

Hey, remember that musical movie version of “Love’s Labour’s Lost” Kenneth Branagh made in 2000, which was kind of terrible?

Only also kind of brilliant?

Because it was cheesy and self-conscious and goofy and pretty, just like the play? Read more...

Globe to Globe: Love’s Labours Lost in British Sign Language (UK)

When I heard Deafinitely would be doing Shakespeare’s most language-focused play, I was intrigued. Love’s Labours Lost has long been a favourite comedy of mine – Rosaline and Berowne are a dry run for Beatrice and Benedick who nonetheless are slightly more grown-up than the more famous pair, and there are more than enough classical allusions and Latin jokes to keep a smug 17-year-old enrolled at a liberal arts college happy, as I was when I first encountered the play. Parts of it are very boring, and a lot of it doesn’t make sense, but Berowne is probably my favourite speaker in all Shakespeare and the ending is brilliant.