The Witch of Endor in ‘Witches and Wicked Bodies’ at the British Museum

Wow the second half of November went on rocket boosters! I have little to no memory of the past two weeks and not for the good reasons (although yes, some wine was involved too). So um  AT SOME POINT LAST MONTH I had a few hours free from work, and went to take a breather at the British Museum, one of the secular temples of London. Having already ‘done’ the Greatest Hits when I first moved here – the Parthenon room, the Rosetta Stone, the Lakhish reliefs, the mummies – now I feel more freedom to go straight to the smaller rooms and see how many treasures aren’t shown so dramatically, that the museum can afford to throw away in patchily lit plexiglass cases.

There’s an exhibition called ‘Witches and Wicked Bodies’ on until 11 January, looking at European artists’ representations of witches from 1450-1900. I’m always up for some historical witchcraft, especially when it covers Shakespeare’s time, although starting at 1450 does miss my favourite medieval witch-related incident, in 1441, when the Duchess of Gloucester allegedly hired magicians to try to become queen (Shakespeare showed this in Henry VI, Part Two). It’s true that medieval European anxiety around witches is very focused on their bodies – often distorted, ugly and unnatural, sometimes titillating and sexy – so I was looking forward to the art as I walked up around the reading room, past Iran, Japan and Mesopotamia, to the little Print and Drawings room.

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