Birthday with Dad

Creative Histories conference, Bristol (July 19-21, 2017)

Last month I went to a three-day conference organised by the University of Bristol, on “Creative Histories”. I signed up basically as soon as registrations were open, and it was exciting to go hang out with people for three days and talk about history-stories.

Sometimes public history can feel like a corrective, like: here is a thing people commonly think, but actually, here is how that is WRONG WRONG WRONG! Often that corrective is needed – like evidence for ethnic diversity in Roman Britain, or of 17th-century women knowing what swears were – but it’s also the sad thing that happens when a tour guide tells a lively story and adds, “of course, the real history is a little bit different [more dull].” There’s the fun history which is light and un-rigorous, and then there’s the proper factual history which is a super buzzkill, and they are different and you can’t be both.

What was pleasing about the Creative History conference is that it is about, as it says, creating – understanding and communicating history by generating something. Presenters and attendees were novelists, artists, a theatre group, a storyteller-dramaturg (I know!), and even the people who have ‘traditional’ historian jobs were doing creative work: making films, commissioning theatre, making comics as part of their PhDs on history-in-comics (I know!). Making something is more fun than cutting off or corralling something, and people who make things are generally pretty great people to spend time with. Read more...

Birthday with Dad

Book proposal: it’s out!

Book proposal

I’m excited to say my book proposal is now out on submission! This means it’s in as good shape as I (and, crucially, my agent Lydia, who knows What Book People Like) could get it, and now she’s sent it out to editors to see if any of them want to buy it. Some of them might be reading this RIGHT NOW which is quite nerve-wracking!

The book is about Shakespeare and the settings of his plays: what they’re like today, what Shakespeare would have known about them, and how stories can change the meaning and even the physical shape of places, and vice versa. Book lengths being what they are, instead of trying to write a very small bit about all 36(ish) plays, we went through and narrowed it down to the 12 plays and places where I felt there was a lot to say, and which make sense together. It includes the obvious biggies like Verona and Elsinore castle, but also some surprisingly rewarding ones like Navarre (Love’s Labour’s Lost) and Inverness and Cawdor Castle (Macbeth). I’m excited to be exploring all of them. People in publishing say that early book titles are very likely to change, but I really like our draft title: Kingdoms for Stages, named after the Chorus in Henry V’s wish for “a muse of fire…A kingdom for a stage, princes to act”. Read more...