Q: So, this Much Ado hasn't been getting very good reviews, gosh! How drunk were you for this one?
A: NOWHERE NEAR ENOUGH.
Q: So, this Much Ado hasn't been getting very good reviews, gosh! How drunk were you for this one?
A: NOWHERE NEAR ENOUGH.
The conceit of Shitfaced Shakespeare is simple: it's a production of Shakespeare and one of the cast members is shitfaced. This year they did "Much Ado About Nothing" at the Edinburgh Fringe, and the night I saw it the shitfaced Shakespearean was Beth-Louise Priestley as Hero. I discovered that a drunk Hero staggering her way through Messina is the best thing that has ever happened to this play.
Much Ado, more than any other Shakespeare except maybe Hamlet and Twelfth Night, is about sex and death. (The three were written within three years of each other, 1598-1601, with Othello following close behind around 1602; clearly it was on his mind.) Compagnie Hypermobile's Beatrice and Benedick obviously get on well with each other. Their love isn't so much a revelation of feeling as an agreement to risk the literally deadly dangerous world of courtship and marriage together.